In addition to the fees we pay our performers, our Singer’s Friends Fund has given away over £9500 since the start of 2015 in mini grants and bursaries, made possible by the extraordinary generosity of our wonderful friends and supporters. Some of the heart-warming stories of how this money has been used by our young singers to further their careers can be read below.
We simply couldn’t do any of this without the help of our friends and supporters who are a vital part of our story. Every ticket sold, subscription or donation made directly supports Opera Prelude's chosen singers and whilst we work hard to earn as much as we can from ticket sales, our donors are absolutely central to the work we do. Every penny counts and every donation is appreciated more than it is possible to say.
Thank you for being part of Opera Prelude and giving young singers a start.
Thank you from our Singer’s Friends Fund mini-grant recipients and Bursary Award winners!
2017 Grants and Bursaries
Thanks from Sophie Pullen
‘Thank you for this Opera Prelude grant which is contributing towards my current studies on English National Opera’s Opera Works course. The course is an invaluable introduction to the many skills required to sing as a soloist at an international level. The masterclasses we have had so far this year have been with highly celebrated professionals in the worlds of theatre, dance, movement, sports psychology and obviously opera. Our individual coaching with the music staff at ENO have been invaluable as has been the opportunities to watch all the dress rehearsals and speak to the soloists. Thank you for supporting my studies at ENO and I look forward to exploring the new skills that this course is equipping me with.’
Thanks from Mari Wyn Williams
Thank you Opera Prelude supporters. I am so thrilled to be awarded this mini grant. I will put it to great use. My intention is to put the money towards coaching for my upcoming performance of Die Walkure at Grange Park Opera where I will be performing the role of Valkyrie Helmwige. I also have an upcoming audition in Munich, so I really appreciate the help. Your support is so important to young singers and none of us could do it without you.
Thanks from Phoebe Haines
With this generous donation from OP Singers' Friends Fund, I will be able to pay for my travel to Italy this Spring where I will work with my coach at La Scala, Massimiliano Bullo. Having met this summer in China and worked on a diverse array of Italian language rep together at the Suzhou Grand Theatre, I look forward to delving further into the Bel Canto repertoire with him, and auditioning for La Scala and the Academia Rossiniana in Pesaro. Grazie Mille!
Thanks from Richard Dowling
The financial assistance provided through Opera Prelude has given me an extremely helpful financial boost. I will use the award to help cover the costs of coaching, recordings, sheet music and audition travel expenses. Opera Prelude in this instance, and more generally, is a rare champion in its support of singers in the often difficult, transitional years, after their formal training is completed at Music College. I am most grateful to the anonymous donor who has made this Bursary Award possible.
Thanks to Opera Prelude’s incredibly kind supporters I am able to use this grant towards my course at The Berlin Opera Academy, playing the role of Scaramuccio in Ariadne auf Naxos. This course will take me to Berlin for 30 days of intense study, coaching and language tuition. The course is expensive, and thanks to Opera Prelude and others, my time will be spent learning the role and the language rather than raising money. My heartfelt thanks to Fiona and Opera Prelude.
I am thrilled to be the recipient of this Opera Prelude bursary. It will enable me to pay for singing lessons for the next half year, as well as make a good quality video and audio recording at the end of it. This means that I can really focus on working on my technique whilst having something positive to aim towards. I'm extremely grateful to the donor and to Opera Prelude for giving me this opportunity!
Many thanks to the generous donors who support Opera Prelude’s fund for young singers! I’m very excited to have received funding for coachings with legendary soprano Dame Anne Evans, whom I sang for in Opera Prelude’s recent Masterclass arranged with the International Opera Awards. Thank you to the Singer’s Friend’s Fund for giving me this wonderful opportunity - I feel Dame Anne’s input will be very valuable whilst I prepare for auditions over the summer.
Alex Otterburn (baritone)
I was lucky enough to be asked to sing at the Solti-Peretti repetiteur's course in Venice. Whilst all fees and costs were covered, I had to fund all the travel myself. Without the financial assistance from the Singer's Friends Fund, I would have been unable to attend. There I received personal coaching from maestro Richard Bonynge, Pamela Bullock (Lyric Opera Chicago) and James Vaughan (Head of music, La Scala). It is with great thanks to the Singer's Friends Fund that I could be there.
Ben Williamson (countertenor)
For the Opera Prelude Bursary
Ricardo Panela (baritone)
Ben Williamson (countertenor)
2016 Singer's Friends Fund
Alberto Sousa (Tenor)
The grant given to me by OP allowed me to take part of the 2015 Zinka Milanov Voice Competition. Besides receiving very coherent feedback from the panel that has since shaped my studies and improved my performances, I have also established very useful connections with conductors and agents, which may lead to future work. This would have not been possible without the tireless support and dedication of this incredible charity.
Rosalind Coad (soprano)
I am writing to express my thanks for the grant which you have so kindly given me through Opera Prelude. As I'm sure you already know, building a career as an opera singer is a long and difficult road and young singers often require financial support. Your generosity will enable me to have the singing lessons and coachings necessary to continue my progress as an artist, as well as to go abroad for auditions and further tuition. These coachings and auditions are vital at the stage I am at and would not be possible without funds, so I am very grateful indeed for your help and support.
Callie Swarbrick (soprano)
Receiving this bursary is such a wonderful gift, and enables me to take on opportunities that would be prohibitively expensive otherwise. This includes being able to audition abroad, and make some much needed new recordings. It also helps support the continual need for lessons and coaching. I am so grateful and can’t say it enough: Thank you, Thank you, Thank you!!
Anna Harvey (mezzo)
I am so thankful to be awarded a grant from the Singer's Friends Fund at Opera Prelude, which will cover my accommodation and travel to the Dartington International Summer School in August, where I will be singing the roles of Marzia in Vivaldi’s Catone in Utica, led by Adrian Chandler and directed by Richard Williams, and Olga in Tchaikovsky’s Eugene Onegin, conducted by the esteemed Russian specialist Sian Edwards. The Summer School will be a brilliant opportunity to work with such knowledgeable musicians and to learn valuable opera roles which I hope to perform again in my future career, and the grant will allow me to do this without financial worry. Thank you so much for your support - I really appreciate it!
Callie Swarbrick (soprano)
I am absolutely thrilled to be awarded the Opera Prelude Song Prize, and to have a chance to work further with Della Jones. The Masterclass with her last month was extremely informative and I came away longing to get more of her input on my other arias - and now that’s feasible! Thank you very much for making this opportunity possible.
I had my first coaching with Della yesterday and it was fantastic - she’s very generous with her time, I was there nearly two hours!
I’m thrilled to be going to Vienna to study German this summer, the support from the Singer’s Fund means I can afford to spend the whole of August away on the course. I will be living in university halls in the city, and taking classes each morning. The afternoons will then be spent revising the language and of course trying it out! This will put me in a much better position for auditioning in Germany, and will greatly assist with my German repertoire. Thank you!
Ricardo Panela (baritone)
Please accept my sincerest thanks for helping me buy my tailcoat set. These are essential for singers but fairly expensive and your precious help has allowed me to order a great set which will serve for years to come. Thank you for being there for young singers and making a difference for us. You help is invaluable.
Becca Marriott (soprano)
My Opera Prelude Singers' Friends Fund grant is extremely meaningful to me as a recent college graduate, still finding my feet, trying to afford all the lessons and coachings that moving up in the opera world necessitates. For every young singer, a huge, but key-step, is trying to enter the opera world in Europe. This means not only perfecting the pronunciation of the European languages you sing in, but also being able to communicate with colleagues and potential employers abroad; especially in Germany. A course of ten German lessons will be a big step towards transforming my German from broken and unusable, to conversational. I am truly grateful to the Trustees and Opera Prelude supporters for giving me this chance, and have booked my first German lesson for next week!
Adriana Festeu (mezzo)
Thank you so much for making this grant scheme possible. Thanks to your generosity I am able to complete a series of recordings at the Royal Academy of Music. These recordings represent the practical side of my PhD thesis and will be handed in alongside my written dissertation. Hopefully my thesis will be useful to other young singers who struggle with the same issues I did. I have worked so hard over the past 4 years to complete this academic project and I couldn’t have done it without your support; I am ever so grateful!
Paola Cuffolo (mezzo)
I’m so grateful to the Singers’ Friends’ Fund for helping me to push my freelance career forward. Having good recordings is an essential part of getting more work, and having an excellent pianist is an essential part of a great recording! I would struggle to pay for this important element of my work without the Fund, thank you so much to all who have helped to create it…I know all of us at Opera Prelude are extremely indebted to you!
Alex Haigh (tenor)
Receiving a mini-grant from the Singers Friends Fund has been incredibly helpful. It will enable me to have 2 coaching sessions for Italian language work and technical development vocally. I have always tried to ensure I have the best teacher I can possibly afford; this grant enables me to seek out other people and get their opinions and advice, which is so useful. So a great giant thank you to you all for enabling me to continue with my development!
Mark Austin (conductor)
Thank you very much indeed for the grant towards my Italian course at the British Institute of Florence. This is an invaluable stage of professional development for me because I spend a large amount of time working on opera in Italian. To have a strong grasp of the grammar of the language as well as its vocabulary and pronunciation gives me a real feel of authority when coaching singers and thinking about the drama. So far it's going very well! Only yesterday I found out that the words 'beltà' and 'beltade', meaning 'beauty', are poetic/archaic, and the modern equivalent is 'bellezza'... here is a nuance which I was previously unaware of, but obviously affects the sentiment of the text considerably.
I look forward to seeing you at a lecture in the future, and thank you and Fiona again for your support.
Phoebe Haines (mezzo soprano)
I was so thrilled this week to find out that I have been awarded a grant from the Singer's Friends Fund at Opera Prelude. With their very generous support I will be able to take my study of the German Language very seriously in the coming months, and I know that with their backing I will come on leaps and bounds. I am so grateful to be part of such a wonderfully supportive organisation as Opera Prelude, which really does everything within its power to create a thriving artistic community.
Alex Otterburn (baritone)
The award made to me by the Singers Friends Fund, covering the expenses of attending two training courses this summer, has taken a huge weight from my shoulders and for which I am extremely grateful. In July I will attend the Southrepps Music Festival young artists program, a week-long course run by English tenor Ben Johnson and pianist Thomas Primrose. In August I will be singing the title role in Eugene Onegin for Dartington International Summer School, performed in Russian with full orchestra and conducted by Sian Edwards. The experience and expertise I hope to gain from working with these musicians on my core repertoire will be invaluable for my future. Thanks to the Singers Friends Fund I can do so without financial worry.
If you would like to champion our work, there are a variety of ways in which you can do so now. Do get in touch – we would love to talk to you about any help you can give. Please telephone Fiona Hamilton on 07908894333 or email: email@example.com
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Join the Singer’s Special Friends
Thanks to the heart-warming generosity of our friends and supporters, we have established a Singer’s Friends Fund to support our young singers at critical times in their careers; whether it is for help with audition fees, recordings, website design, travel expenses, Masterclasses or vocal coaching.
If you are able to join us in helping young singers further their careers by donating to this Fund we would be eternally grateful!
Again, thanks to the kind generosity of anonymous benefactors The Opera Prelude Song Prize continues into its third year giving our winning young singer the benefit of private Masterclasses with one of Great Britain’s leading mezzo-sopranos, Della Jones.
We want to create long lasting associations with organisations and individuals who share our passion for opera and believe in helping the next generation of young singers develop their careers. Corporate Partners choosing to support Opera Prelude through major sponsorship of a series of lecture recitals or opera related events will have the opportunity of meeting a range of business development goals whilst engaging with discerning audiences. We are able to create bespoke opportunities for corporate involvement to meet your company’s client entertainment needs and philanthropic priorities including hosting lecture recitals and concerts in your offices.
Whatever your requirements, we would be delighted to discuss them further.
Trusts and Foundations
Opera Prelude seeks support from Trusts and Foundations for a range of events and projects planned throughout the year.