Richard Dowling

Richard is a graduate of the Royal Academy of Music’s Opera Course where he was privileged to perform the role of Tom Rakewell in Stravinsky’s ‘The Rake’s Progress’. He also particularly enjoyed appearing as Le Prince in Massenet’s ‘Cendrillon’, performing in the Wigmore Hall with the Academy Song Circle and as a soloist in the Academy’s complete Bach cantatas series. 

He recently sang the role of Ferrando in Mozart’s ‘Cosi fan tutte’ with West Green Opera and, working with the inspirational Graham Vick, performed the role of the Sailor in Birmingham Opera Company’s production of Purcell’s ‘Dido and Aeneas’. He has also worked in educational outreach, singing the role of Nemorino in Donizetti’s ‘Elisir d’amore’ with Jackdaws OperaPLUS. 

With Garsington Opera, he performed as the Glassmaker in Britten’s ‘Death in Venice’ conducted by Steuart Bedford, as Selimo in Rossini’s ‘Maometto II’, and Mosquito in Janacek’s ‘The Cunning Little Vixen’. He was pleased to be awarded Garsington Opera’s 2014 Simon Sandbach Award. He also sang the role of Count Almaviva in Rossini’s ‘The Barber of Seville’ as a young artist with Mid Wales Opera. 

Richard is a keen recitalist, was a participant in the 2015 Wigmore Song Competition and recently gave a recital at Leighton House, Kensington, inspired by his life and paintings. He is also an experienced oratorio artist, engagements including Britten’s ‘Ballad of Heroes’ and Mozart’s ‘Requiem’ in the Bridgewater Hall, Finzi’s ‘Dies Natalis’ in Brentwood Cathedral, Janacek’s ‘Otcenas’ in Gorton Monastery and the ‘Messiah’ in Lincoln Cathedral. 

He also enjoys singing with the Gabrieli consort and with the Choir of the Age of Enlightenment, including a recent tour of Bach’s ‘Christmas Oratorio’ under maestro Masaaki Suzuki. 

Richard originally studied Chemical Engineering at The University of Manchester and went on to complete a PhD in the field of crystallisation while working as a Lay Clerk at Manchester Cathedral.